In Act Two, Gaga then appeared on stage buried in Zand next to skelets, to sing her new song ‘Perfect Celebrity’. Her essential, white corsete dress was made by Turkish-British Dilara Findikoglu, a favorite of celebrities who often supported by co-coach artist Charli XCX, Rosalia and Julia Fox. (The Boney skeletons and masks are specially made by the artist Sarah SitkinKnown for her sculptural, body respectful work).
Photo: Getty images
As the show progressed, the artist’s stage sembling only became more extensive and graceful. For her performance of ‘Paparazzi’, for example, she slid an expert in Silver Metallic Armor pieces by Manuel Albarran – metal couture– That mimed the robot -like look that she was wearing in the iconic music video of 2009. For Act Three, when she carried out new songs as ‘Killah’, Gaga dressed in the Spestly Designs of Marni’s Francesco Risso, including a feathered blue jacket and Bodysuit Bodysuit to get rid of the catwalk of the catwalk from the catwalk of the catwalk from the catwalk from the catwalk from the catwalk of the catwalk from the catwalk of the catwalk of the catwalk from the catwalk of the catwalk from the catwalk from the catwalk from the Podium.
It just wouldn’t be a Gaga show if it didn’t end with a bang. A last time to perform her biggest hit of all, ‘Bad Romance’, when things came to an end, Gaga appeared in an angelic white look with feathered wings made by Matières Fécales (a new label that recently debuted in Paris), with adapted shoes by Chrome Hearts. While the whole crowd shouted the global hit, it was clear that the Coachella take over from Lady Gaga was a bona fide smash success. GA-GA, OH-LA-LA!