During a passage of her autumn collection, Tanya Taylor explained that she “wanted to mate things back and felt a little cleaner and really credible.” At the same time, the designer wanted to “inject a little imagination into the way we wear things.” The end result was not completely quiet luxury, but nothing terribly loud. A happy medium seems to be the meaning of the season so far and a reasonable response to a time when nothing seems certain.
Change came in small steps. Shot of butter yellow brightened an autumn palette, just like a double face cashmere jacket with ribbed cuffs and button details in a lichen green green. Suede and leather were heroes materials that were unexpectedly styled against prints and embellished pieces. The Western accents of Pre-Fall have been handed over to English land accents in the form of sanding solid and control jackets. Denim and Corduroy came together in a flattering skirt that was shown with a handlebin pearl and diamond sweater that was somewhat 80s in his exuberance.
Print are a Taylor support pillar; A blurry hand -painted plaid was striking and a split dress with floral print was effective. While Taylor just launched Delphine, a line of party dresses, the domination of dressed dresses was surprising here and many felt. The “Spark of Personality” who wanted to conjure Taylor was previously found in “Ski Bunny” sweaters for city girls, the combination of leather and shirting and the mixed stitches on a second skin knit with a handkerchief zoom.