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Known as the world’s oldest film event, the Venice International Film Festival has always celebrated the art of cinema and haute couture. In this 81st edition, Taylor Russellwho served as a jury member, effortlessly stole the spotlight. As soon as she arrived in Italy, Russell made it clear that she was not just there as an actress, but as a true fashion icon. From sStructured fits for intriguing volumes and sassy slits, Taylor and her style team were determined to showcase her impeccable style, masterfully balancing timeless and contemporary aesthetics throughout the festival.
Here are some of Taylor Russell’s top fashion highlights at the 81st Venice International Film Festival…
John Galliano’s “Pin-Up” look: A vintage triumph
Taylor Russell made a striking fashion statement as soon as she landed in Italy. She wore a blazer with shoulder pads, a cinched waist and a peplum hem by John Galliano Spring 1995 “Pin-Up” ready-to-wear collection. Styled by Jahleel Weaver, she rocked the blazer with a matching skirt, creating a beautifully fitted silhouette. This ensemble, which originally graced the catwalk on supermodels Yasmeen Ghauriwas styled by Galliano with a Saint Laurent belt and leopard print beret. However, Taylor opted for a sleeker look and paired the look with black pointed-toe mesh heels and sleek, dark lace-up sunglasses, giving the outfit a modern edge while retaining its vintage charm.
Opening night at Vintage Chanel: Ethereal elegance
For the grand opening night and the premiere of Beetlejuice Beetlejuicetaylor took her style even further in a breathtaking ensemble from none other than Karl Lagerfeld. Her angelic look, a vintage Chanel Haute Couture Spring/Summer 1993 issue, consisted of a bright corset top with floral details and a sheer flowy skirt with a voluminous balloon detail at the hip. The ethereal design brought a touch of dreaminess to the red carpet, marking her debut as a judge in a style no one will soon forget. Taylor’s white Christian Louboutin heels and her dazzling Tiffany & Co. jewelry. — including pieces that shone as brightly as her presence — sealed the deal. With pixie cut hair completing the look, she truly epitomized a leading lady.
The LOEWE masterpiece: A lesson in refinement
Taylor Russell’s next look was nothing short of iconic. She graced the red carpet in a sophisticated beige draped LOEWE dress with an intricate silhouette and a loop neckline that extended to the back of the skirt, creating a visually stunning, endless effect. The minimalist design served as the perfect backdrop for her beautiful Tiffany & Co. jewelry. Glistening in over 11 carats of diamonds and gold accents, the actress epitomized ’90s-inspired elegance. She paired the dress with strappy heels, completing an ensemble that felt both classic and contemporary.
‘Queer’ premiere: Dark glamor in LOEWE
Further at the Foreign At the premiere, Taylor wowed the fashion crowd once again with a bold yet understated look. She wore a long black LOEWE hooded number with a daring high slit and sheer lace down the sides, giving off a seductive yet sophisticated vibe. Paired with black lace Amina Muaddi heels, this ensemble showcased Taylor’s ability to navigate different facets of style with ease—from ethereal to dramatic. It was her third appearance at the Venice Film Festival, and there had not been a single miss.
Premiere ‘The room next door’: Modified Alaïa moment
At the Room next door premiere, Taylor Russell stuns in a custom Alaïa look designed by Pieter Mulier. The offering featured a cropped, sleeveless top paired with a long, voluminous bubble skirt in white silk gazar, providing a striking contrast between the two elements. She dressed up with an array of Tiffany & Co. jewelry, including a Victoria necklace adorned with more than 38 carats of diamonds, and platinum pearl and diamond earrings. Taylor’s white Alaïa heels completed this polished, ultra-chic ensemble, once again proving her mastery of red carpet dressing.
Closing ceremony in Schiaparelli: A breathtaking finale
For the grand finale, Taylor pulled off one of her most unforgettable looks yet: a Schiaparelli haute couture gown, designed by Daniel Roseberry. The asymmetrical illusion dress, made of sheer black draped mesh with organza swirls, was a vision of high-fashion drama. To add to the splendor, Taylor accessorized with Tiffany’s Jean Schlumberger ‘Bird on a Rock’ brooch on her choker and Banana Dot clip-on earrings, a bold nod to timeless glamour. Her black satin pumps, with a crystal-covered ball on the heels and a silver keyhole on the front, also provided the perfect finishing touch, leaving no doubt that she is indeed a fashion powerhouse.
Conclusion
Taylor Russell has undoubtedly redefined leading women’s fashion, combining vintage glamor with contemporary sophistication. Her outfits, styled by Jahleel Weaver, demonstrate her versatility as a fashion chameleon. From vintage Chanel to modern masterpieces, Taylor Russell has demonstrated impeccable style, proving that she is not only an on-screen star, but also a leading lady on the red carpet.
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